
| "Seeing Beyond Limitations" Peter Rothstein's Sunday Presentation and Play Introduction |
Like his little niece who shuts people out of her room with the words "keep
out" marked on her Popsicle cross, Rothstein suggests that we, much like his
niece, too often protect ourselves from our irrational fears, allowing our
limitations to shut out people we don't understand. He effectively illustrated
this point by presenting a scene from his upcoming Theater Latté Da production A
Man of No Importance. Singer-Actors Tod Peterson played Alfie, a closeted
homosexual with Jonathan Peterson's conservative Father Kenny, and Dieter
Bierbrauer's Robbie, a man of the Irish working class. The three reenacted the
conflict of a confessional where sin sees no room for guidance, forgiveness or
understanding. They end up torn and bewildered with the song "Confession."
Singer-Actor Ann Michels lent a stouthearted soprano voice to "Our Father," the second
offering, backed by ten singers, and a haunting Irish arrangement provided by
Denise Prosek on piano and Dan Chouinard on accordion.
This past week (3/14), SJA parishioner and theater director Peter Rothstein
delivered a courageously stirring homily that questioned how we interpret the
story ending of the popular parable The Fig Tree. There is a gardener and a
landowner mulling over whether a fig tree should be cut down. The gardener
proposes to leave the tree another year and cultivate and fertilize the ground
around it, then see if it will bear fruit. If not, it shall be cut down. The story
leaves one hanging. What happens? Rothstein opines a pat optimistic ending
where the landowner agrees, the gardener sticks to the plan and the tree bears
fruit. But Rothstein proposes that it's really up to us to decide how this story
ends. Just like how we live our day to day life. How will we finish the story?
We write it every day. But do we see the potential or do we just see the
limitation? How does the Church finish our story?
Terrance McNally's A Man of No Importance takes place in a repressive
pre-Vatican II Dublin in 1964. Alfie, a train conductor recites wise poetry to his
attentive passengers by day and directs plays in a church basement by night. His
passionate community theater troupe recalls the lovable characters from
Christopher Guest's hilarious 1997 independent film classic Waiting For Guffman. A
lonely and closeted homosexual, Alfie believes that art is for every one and if
it's not, it should be. You just have to love who you love in life. Don't
expect support from his prudish sister Lily, with whom he lives. She finds his
devotion to art and books unseemly and sternly feels that only a wife will take
care of her brother's needs.
Oscar Wilde's proverbial wit permeates the play with rich lines like "the
only way to get rid of temptation is to yield to it." Eventually Alfie's earnest
staging of Wilde's "Salome," regarded by the Church as "blasphemous" gets
shut down. Alfie is left ostracized by the church and loses his employment because of
his homosexuality. He soon discovers that it takes the support of his beloved
theater troupe to release his shackles of oppression. For Director Rothstein,
the play's most illuminating moment of truth comes when Alfie says "Welcome to
the world. I am in the world and that should be enough."
Theater Latté Da presents the area premiere of A Man of No Importance:
Terrence McNally – Book, Stephen Flaherty – Music, Lynn Ahrens - lyrics
Runs: March 20 - April 17
Thursdays - Saturdays: 8 PM Sundays: 2 PM
Tickets: $10 - $25
Location: The Loring Playhouse 

1633 Hennepin Avenue Minneapolis
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