
![]() Sunday June 22nd, 2003 |
Celebrating the Feast of the Body and Blood of Christ-Corpus Christi took
place this past Sunday June 22 at St. Joan's with a passionately sung musical
homily titled "Call & Response." What the Body of Christ means today reflects
living out the Gospel call to live as peacemakers.
Illusion Theater's Fresh Ink Series develops new works annually and two of its Artistic Associates, SJA parishioner theater director Peter Rothstein and actor-director-writer Beth Gilleland, were commissioned to curate a work that reflects one's call to react to war and musically respond with peaceful alternatives. At this time last year, Rothstein presented excerpts from MacDermot and Dumaresq's "The Human Comedy," an operetta that examines the ugly ramifications of war; this year he continues a potent message of peace offering excerpts from "Call & Response" a folk musical concert with personal anecdotes by performers and narrator.
Gilleland, who directed and narrated the concert, offered her own droll reflections on what inspired her while directing this project. Recalling a trip to Verona, Italy, she arrived with too much luggage and no where to stay. "I know a little Spanish. I can do it," she jested, eventually lodging in a nearby youth hostel. Or her observations regarding a house on a hill in Michigan complete with a Virgin Mary and Seven Dwarfs. "Is this an art instillation?" she mused. "Are we dwarfed by our own religion or [is this] merely bad taste?"
![]() |
| The Frantzich brothers after mass |
Gilleland recited the wonderfully motivating poetry of Mark Norford about taking a stand with the quote: "Stop thinking . . resist temptation to drown in fatalism . . . step up to crank your personal volume when it seems acrimonious, there's your opening." The Frantzich Brothers closed their set with their reworking of the popular hymn "The Prayer of St. Francis (Make Me a Channel of Your Peace)" with their poignant paraphrase "Musicians and Poets make this art. I'm waiting here for your song to start." Joe Savage provided a lovely blue-grass style accompaniment on dulcimer.
Soulful Jazz singer and Guthrie veteran actor Suzanne Warmanen and
accomplished Jazz musician George Maurer on piano accompaniment performed the offertory
musical selection, Leonard Cohen's "Anthem," a familiar work previously done
by SJA's Choir with singer Neal Hagberg. The lyrics "there is a crack in
everything, that's how the light gets in" reminds us that our human imperfection
needs able assistance and understanding time and time again. Co-Pastor Jim
Cassidy's cunning remark "For the sake of time, I'm gonna skip my solo" probably
provided the impetus for Warmanen and Maurer to shortened their lengthy
selection for the second mass. Interestingly, they were noticeably tighter with their
performance delivery despite the absence of an impressive bluesy-vocal improv
provided earlier by Warmanen.
![]() |
![]() |
![]() |
| This display is called "Hope Ribbons", put together by the SJA GLBT Community as of symbol acceptance, peace and solidarity among straight and gay communities. |
![]() | |
![]() | ![]() |