
![]() | "The Gods Must Be Crazy" THE POSSIBILITY OF A CONTINUING CONSCIOUSNESS Catherine Dees |
Soft spoken, cultivated and compassionate describe author Catherine Dees, who
is also a documentary film producer and sponsor of archaeological digs in
Egypt. Co-creator of an exhibit which debuted more than two decades ago about
eternal consciousness called "Continuum: The Immortality Principle," Dees
presented a talk titled "The Gods Must Be Crazy" co-sponsored by SJA at the
Continuum Center Gallery on 26th and Hennepin this November 15th. Discussing the
origin and development of this exhibit, which also spawned a published book
version in 1982, Dees finds inspiration from science, philosophy, art,
religion, psychiatry, parapsychology and technology.
"It is interesting that we are born with no fear of the invisible from which
we have come, and yet that unknown realm is just as dark to our senses as the
one to which we go at death. The whispering voice of wise old Lao Tsu says,
'There is a reality prior to heaven and earth.' Could there also be a reality
beyond it?" writes Dees.
Twenty five years ago, this mother raising two daughters(now a lawyer and a
chiropractor) in Pasadena, started a writing career. Planning to write about
spiritual common sense, what piqued her interest were books by classicists
with an esoteric thought. All around her, issues involving mysticism, destiny
and spiritual enlightenment seemed to stir up a real hunger in peoples'
hearts. Why even "physicists started talking like mystics," recalled Dees.
She wanted to write about something that involved "a new way of thinking yet
somehow was ancient, asleep and now was waking up." Two specific themes
emerged from her research: immortality and consciousness. Deciding to combine
her writing with illuminating photography and illustrations, she and
co-creator Kay Croissant devised display panels for an art exhibit.
Her thesis for the exhibit would include four concepts:
The idea for her exhibit would have to be visual and accessible to children
so she also came up with interactive demonstrations involving consciousness.
This inter-disciplinary artist went to the science museum in Los Angeles to fund her ideas for an exhibit. Well, the show received the green-light when Dees was promised $20,000 from a "psychic surgeon" who insisted a pet project of his own be included in the exhibit. His entry was a simple block of wood in the shape of a female torso with the inscription "touch me." Well, this gave an unintentional response of aroused passion from a few spectators. But more disturbingly, some entries like a hologram display about suicide made a few people nervous. "I got some public flack for doing a tight-rope walk through peoples' religions," she summarized, but nearly one million people saw the exhibit and a lasting impression of expanding one's awareness led to the publishing of the book.
Dees wanted this exhibit to be a journey through time, death and
consciousness, something that suggests that we are all connected. Something
that offers compassion as a practical working principle, forever unfolding,
continuing. "We have to reach back and reach ahead. We are all teachers and
learners," offers Dees. Legend has said that the ancient symbol of
immortality, the Sphinx from Egypt, asks a riddle of those who view him. Dees
writes, "Could the riddle of the Sphinx have been this: WHAT IS IT THAT LIVES
WITHIN TIME AND YET LIVES IN ETERNITY? The answer may be . . . MAN.
You can purchase Catherine Dees and Kay Croissant's book "Continuum: the immortality principle" by calling or stopping by the Continuum Center Gallery (2538 Hennepin Ave., Mpls. 612 374-4948).
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